Credits

Cast
TERASHIMA Saki
ONO Himaawari
TANAKA Tetsushi
KUROSAWA Asuka

Staff
Director
KINOSHITA Yusuke
Screenplay
KINOSHITA Yusuke
Cinematographer
MARUIKE Osame
Editor
FUSHIMA Shinichi
Production Design
OZEKI Tatsuo
Lighting
YOSHIKADO Sosuke
Sound Recording
MATSUMOTO Showa
Assistant Director
OISHI Makoto

Profile

KINOSHITA Yusuke

Born in Tokyo, 1981, he took an interest in making films during high school. He was part of a filmmaking club at the prestigious Waseda University where he began making short films. His short video, Birdcage (2002), which depicted a boy’s emotional journey to find his mother, won both the Runner-up Award and Audience Award at the PFF Award Competition 2003; the film was also highly praised by one of the jurors, KAWASE Naomi (The Mourning Forest). Water Flower, produced by the PFF Scholarship Program, is a companion piece to Birdcage and was released in Japan in the summer of 2006.

Names are written with family names first in the Japanese style

The 15th PFF Scholarship Film

Water Flower

Synopsis

A portrait of the relationship between Minako, a girl in junior high deserted by her mother when she was young, and Yu, Minako’s younger half-sister who loves to ballet dance. On a whim, Minako takes Yu to the house of their late grandparents near the sea. As she spends time taking care and playing with her little sister, Minako takes on the role of a mother. She reminisces on her own happy childhood. Minako has reached the age when she feels more and more distant from her father, but holds a deeper resentment for her mother who eloped with another man, deserting Minako and her father.

Making use of fixed wide shots and panning camera movements, director Kinoshita Yusuke, effectively represents the changes within a young girl’s mentality without depending solely on words. Though the late Terashima Saki had always been playing “mama’s boys” in dramas, this film exceeds his previous works with the strongest point being his fully refined expressiveness. Working with veteran actors and staff, Kinoshita created an impact unlike other new directors, conveying an uncommon ability in his purposeful direction. The sure-handed camera work poetically tracks the subtle changes in Minako’s appearance without falling into sentimentality, demonstrating a meticulous care for the material. The film will pull at the audience’s heartstrings and leave an impression that a great, new talent has been encountered.

2005 / 35mm / 92min / Color

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