Grand prize went to YOUR HOME by Kohei Yamakawa

Runner-up prize went to JELLYFISH BOY by Shoh Kataoka

Special Jury prize went to three titles,  ICARUS UNDER THE SUN by Saori Abe & Nazuki Takahashi, GOOD MORNING TO THE WORLD!! by Satoru Hirohara and TIGER by James McFay

Best Concept -TBS- award went to ANNA by Megumi Tazaki

Entertainment - HoriPro Inc.- award went to ANNA by Megumi Tazaki

Cinema Fan award went to TOO YOUNG TO TELL A LIE by Gaku Kobayashi

Detail will be up soon!

Runner up Award :
IN THE FOG by Ryo Iizuka

Special Jurys' Award :
BIG GUN by Hajime Ohata,
CHAIN by Akihito Kajiya,
ORDINALY LOVE by Shoko Kimura

TBS- Best Concept Award :
MY LYRICAL AGE by Shujian Ren

IMAGICA - Tecnical Achievement Award :
MY LYRICAL AGE by Shujian Ren

Audience Award :
ISLAND OF DREAMS by Tetsuichiro Tsuta

Main programme is PFF Award and special programmes are retrospective of Nagisa Oshima and Clint Eastwood.

More, 31st PFF site (only in Japanese)

The 19th PFF Scholarship Film
35mm/112min/color
Director:Yuya Ishii

Sawako has lived in Tokyo for five years, is working her fifth office job, and is dating her fifth boyfriend, who is also her boss at the office. Her life with Kenichi, her boyfriend, and his daughter from a previous marriage, Kayoko, feels like a "compromise," and she endures each day feeling distressed about her career and love life. One day, she receives word that her father, Tadao, who runs a freshwater clam processing business in her hometown, has fallen ill. There is a reason why Sawako would rather not go back home so easily, but she reluctantly decides to return at Kenichi's insistence. But Kenichi, who had actually quit his job shortly before Sawako, uses this opportunity to come along with Sawako to her hometown with his daughter in tow. Thus Sawako's ordeals continue. Still, she takes over her father's clam processing company and begins to work there.

The 18th PFF Scholarship Film
35mm/101min/color
Director:Takatsugu Naito

Manzo Ishiguro is a 38-year-old bachelor. His occupation is a fisherman. Day after day, he goes out to sea on the fishing boat that his father left him and pitches the fishing net. Manzo is lonely. "I can't stand this anymore." His deep sorrow echoes emptily in the one-storied house. One day, at the port town where Manzo lives, a party sponsored by the town office for prospective brides to meet the bachelors in town takes place. The town itself suffered from a severe lack of women willing to marry the local men, so the single fishermen frantically try to attract the attention of the gorgeous women gathered from Tokyo. Manzo also wears his best outfit and attends the party, but the result is a crushing defeat. His feelings don't connect with anybody. Then, intruders suddenly appear in the lonely house where Manzo sits dejected. They are Mitsuko and Masao, a mysterious mother and son. Although Manzo drives them away at first, he eventually warms up to the two intruders because he longs for a happy family. Thus, a strange house-sharing situation is born. However, although this pseudo-family-like relationship appears to run smoothly for a while, it does not last for long...

The 17th PFF Scholarship Film
35mm/111min/color
Director:Izuru Kumasaka

This is a somewhat heartwarming story revolving around an oasis in the city. The main character is a middle-aged woman, Tsuyako, the owner of a slightly worn down "love hotel". She is a disagreeable and unsociable woman, who manages a hotel on the roof of which a small park has been built for reasons unknown. There, old people and children visit this relaxing place one after the other, and amidst their daily existence in the cramped city, their feelings are healed, for a brief moment, in this "free zone" of the heart. It is a curious space, the reason for which it was built, and by whom or when, is unknown. The film looks gently upon the various wayward women of differing age groups who come to this small park and their emotional exchange with the frugal owner. This story of isolated women sharing in other people's grief, and attempting their own rebirth in a corner of the city, is a bold "fight song" raised to all women. This fantastic, moving and masterful women's film will bestow upon the viewer's heart a modest will to live.

The 16th PFF Scholarship Film
35mm/114min/color
Director:Hiromasa Hirosue

Ryo's days teaching eighth graders should be as ordinary as any other. Instead, she spends her energy mediating a tense atmosphere between the students and faculty. Allowing the students a benefit of the doubt with her co-workers, she seeks a less authoritative relation with the students. Ryo walks this very taught rope because of an inner desire to help.
For the young teens, however, there is only the frustration of having ones ambitions crushed by self-important adults who treat them as children just as their emotions are awakening to adolescence. This tightly held bitterness uncoils in flashes of anger and when Ryo is subjected to the unique viciousness of fourteen-year-olds, her troubled past is exposed, jarring her unstable emotions.
By coincidence she encounters Koichi, a familiar face from her student days. Koichi is an average company man, working for the local electric power company. He has started tutoring a young boy in piano after his co-worker learned that he used to play as a child. Apathetically listening to the boy play with little talent but genuine desire, Koichi is taken to a moment in his youth when he decided to quit. And when the boy asks for some advice, Koichi begins to laugh.
Ryo and Koichi share a connection as adults they barely possessed as classmates. Reliving their adolescent traumas, teacher and tutor discover that the fourteen-year-old within them still smolders just beneath their "grown-up" facade, inflicting the same kind of hurt they resented as teens. They come to realize that to fight for the future, they need to make peace with the past.